![]() ![]() ![]() I’ve used this in Logic Pro 8 and 9 without a problem. ![]() Waves SSL 4000 Native Collection developed under license from Solid State Logic. If you can afford it, buy the SSL versions with outboard DSP such as the x-patch or x-logic. So make sure your DAW meets processing requirements. I don't know how they did it, but the SSL VST can stand as a fill in if you don't have enough for the real thing. This Bundle is well worth the price, other wise you would pay thousands of dollars to use a real SSL board. They color the music and you can hear that, in situations where you do not want to color the music this is not the EQ you want to use. But Solid State Logic EQ'a have a specific feel and sound to them. Sure you can applie it to any type of music you want. The waves SSL, in my opinion works well with HIP -HOP, Rock and Jazz. The VST's are stable, i have never had a problem with them. I have worked with a real SSL and i want to say that these VST's are spot on with the quality and sound they produced in relation to the hardware. The compression seems to have the ability to blend your music together unlike any other compressor out there. Solid Stage Logic is known for its warmth and compressors. Every EQ's has its own foot print or tonality that it leaves on audio. However, should you need to read the manual it is very clear an concise on the functions of this great VST. If your planing to buy this then there is no need for the manual as you should already know what you need to use it for. ![]() The price isn't dirt cheap, but considering how much use I get it's a tremendous value. The only thing that comes close for compression is T-racks plugs for me. Both the eq and compression is gives to every channel is awesome and better than about anything I've used. On acoustic or relaxed mixes it can be a bit much but when you have a big mix, it goes a long way toward organizing the chaos. The SSL is on almost everything I do with a full band. After you load up more than 6 or 7 you might have to freeze them individually depending on cpu use. I've never encountered a vst that can do that. I can load up a whole project with drums/guitar/bass/vocals/keys and use the presets on all 10 or 15 tracks or so.and it works well. What's even odder is that the presets are actually usable. It just has that magic tone that no other plug seems to give me. For an EQ/comp strip this is the one I keep coming back to. But I've been using the SSL for a couple of years now and for full band mixes, I'm convinced this is the best. If there's one thing I know it's that there's always something better. Some cheap ones and some really expensive ones. I've used a lot of channel strip eq/comp plugins. The accuracy to the original here is very impressive and clearly Waves did a good job making a solid recreation here. Everything is laid out as if you had the console in front of you. But I expect most users will read the manual and want to learn the ins and outs. It comes with some VERY usable presets including the ones from CLA if you want fast results. This is one of those vsts that makes you want to load up ALL your old projects and put the SSL on them to see what wonders it can do to a remix. You can do a lot with it and not have to make another purchase for some time. If you are just getting started in the VST game then I would suggest you buy this pack first. There have been days where I have tried 10 or 20 other plugins on a track just to go back to the SSL. There's some kind of magic sauce going on here.and I don't know why but I love what it is. The comp can be a bit much on some slower songs when dynamics need to be left low but I must say the EQ sounds great on everything no matter what. Adds a serious punch to everything works miracles for a song that is in danger of crowding. This has become my most used all in one comp and EQ plugin. In some mixes I will have 6 or 7 at once and have to start freezing. Mine is top of the line and I still have trouble with keeping a few of them running sometimes. If you end up using this as often as I do then you might want to think about getting a fast rig. Does take up a fair amount of resources but I can imagine with all the emulation going on this is to be expected. It's not super complicated but it is tricky at first. I found the channel strip to have a medium difficulty to use. You can do a lot with this out of the box just with the presets alone. Honestly though I think the learning curve doesn't matter too much due to the great presets included. I just sort of learned it as I went which in retrospect was probably not the best idea because this thing can be tricky at first. I'm not sure if this has a manual because I've never really read it. Not issues with compatibility in Cubase 64 bit. ![]()
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The original material is grossly underused and it´s a shame, because it has potential (I would like some ideas from here to be added to Super).Īs I said, is inconsistent as hell. Well, I know this is only a promotional anime and it doesn´t look for a consistent writing but despite of that it´s still disapointing, specially the powerscalling, being something crucial in a series like this. The new villians could have been so much more interesting and mysterious Although i also enjoyed playing as nova Shenron too that novelty quickly wore off.ģ) The story has potential but it needs a slower build up and more explanation(I feel super makes this mistake too) when you build too quickly it leaves fans hating the power scaling and getting bored of transformations. eg when I had Budokai Tenkaichi 3 (think it was 3) I enjoyed the epic battles with stacked odds against enemies that had some weight on the story. This was just too much content with too little development.Ģ)If the goal is get the viewer amped to play, the battles should be new and epic. ![]() The 15 min episode should have viewer wanting more. I was disappointed with it as it misses a few things that would have made it really great.ġ) The speed is off.If you want a fight to have meaning and weight you need more thanĤ0 seconds of a fight. Hitting fans with too much fan service (fusions) and transformations does irritate though rather than draw a viewer in. As it is not a stand alone, it doesn't need to build on the franchise or act like a true anime but it really should have tried though. I did get a bit of excitement to play dbz Budokai Tenkaichi. This is nothing to anybody personal, but I just see way too many over the top hate reviews on the series.įor what the anime is made for, it works. This is not to be hating on the haters, but I'm just pointing out some obvious things. ![]() If you don't want to wait for the next episode, then do things that are more important like an actual job, instead of writing reviews about hating the series.īesides that I do agree that the story isn't 'interesting' yet, and it lacks logics of the power between characters, but it was already messed up in DBS anyways.Īt least they don't rush things the first 6 episodes like DBS did with awful animation. ![]() It's not that I accept this all, of course I would want 20 minute episodes, but we can't change it from a promotional anime to a full-running anime like Dragon Ball used to be by writing hate reviews or being hateful to the makersĪnd to the people saying this anime is a waste of time, they also always complain about them being too short, or that it takes too long to publish another episode. Just look at it as if it's a fan-service-only anime. Be happy that they will bring us thing Akira would probably never give us (such as ssj3 trunks and such)Ĥ. It's a PROMOTIONAL anime for Dragon Ball Heroes, so don't expect every week 20 minute episodes that are perfectģ. ![]() ![]() ![]() ![]() He was easily the funniest character in the film due to the hilarious banter between him and Muta over their physical qualities as well as how they should help Haru. One of my favourite characters in the film is a figurine similar to The Baron, a crow named Toto (Elliot Gould). At only 75 minutes, the film’s pacing goes by so fast that many fun and likeable side characters and subplots are given much leas focus. What keeps The Cat Returns from ranking among other Studio Ghibli classics is its short length. ![]() His sarcastic tone and well-timed delivery perfectly portray someone who is very crude to others, but deep down has a large amount of respect for anyone who can stand up for themselves. The late Peter Boyle is cast in form as the grumpy stray cat Muta from Whisper of the Heart, this time serving as The Baron’s sidekick. We feel just as perplexed and disturbed as she is when she’s being hit on by the grotesque and perverted Cat King (Tim Curry), and even more so when she is in fact abducted by his followers. Anne Hathaway’s character Haru is similar to her character in the first Princess Diaries, but what makes us identify with her in this film is how she reacts to the strange events happening to her. While his character knows nothing about the Cat Kingdom, he uses his polite demeanour and his wits to escape scenarios, such as bluffing his way into the Cat King’s palace and cleverly making his escape through a complex maze. Much like his role in The Princess Bride, Elwes portrays The Baron as someone of a lower class (in this case, an antromorphic figurine rather than an actual cat) who thinks and acts more intelligently than his successors, and his voice is very charismatic and articulate, fitting the character’s aristocratic design like a glove. While Cary Elwes didn’t leave much of an impression on me in Whisper of the Heart, his performance in The Cat Returns ranks among one of his best performances in his career, largely due to the fact that The Baron is a much more defined character in this film. While Whisper of the Heart was an entertaining film due to how realistic the story and characters were, The Cat Returns has the advantage of being a fantasy, and the film’s characters ranging from magic figurines and talking cats along with the setting of an enchanted Cat Kingdom allow the film to become much more inventive and interesting. In fact, in my humble opinion The Cat Returns is a spin-off that overshadows its predecessor. Anyone can watch this film without having seen its predecessor ( Whisper of the Heart) and will still be able to follow the story clearly, along with relying on new characters in order to add an element that’s fresh and new. One of the film’s strongest factors is that this film stands completely on its own. Which is a shame considering The Cat Returns proves that Ghibli can competently create a possible franchise while giving its audience something creative and new each time. There have been attempts at creating sequels to Porco Rosso and Ponyo, but factors such as Hayao Miyazaki repeatedly going into retirement or Porco Rosso 2’s director Hiromasa Yonebayashi ( Arrietty, When Marnie Was There) leaving Studio Ghibli have derailed these projects, and there’ve been no efforts to make film’s based on novels or manga such as Tales from Earthsea or Nausicaa of the Valley of the Wind into film franchises. It’s odd to think that The Cat Returns is the only Studio Ghibli film that is a sequel/spin-off. In order to return home, she enlists the help of the Cat Bureau, lead by a magic figurine named Baron Humbert von Gikkingen (Cary Elwes) and his sidekick, a stray feline named Muta (Peter Boyle) to save her. In The Cat Returns, after a young girl named Haru (Anne Hathaway) rescues a magical cat from a car crash, she is strangely abducted by a large group of cats who wish to transform her into a cat herself so that she can marry the cat she saved, who happens to be their Prince. ![]() |
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